(2024)
Digital photography, Christian Cora.
Up left to right, Recycled felt long coat; artisanal merino sweater and sartorial pants; recycled and deconstructed leather jacket and organic cotton slip; military long fur coat; long wool cape with artisanal embroidered braid.
Happy Gas, 2024
35mm black and white analogue photographies
printed on 350gr photographic paper, 30×20 cm.
This proposal explores the tension between the fragile and the imposing, creating a visual narrative that fuses the childlike with the monumental. Through forms that evoke vulnerability, wide and tight fabrics are interwoven, creating contrasts between the delicate and the rough.
The pieces play with the duality of light and darkness, between purity and rawness, proposing a reflection on resistance and hope as inherent elements in the struggle against a system that strips away dignity.
The collection becomes a symbolic representation of the silent strength that rises in the midst of adversity.
VIKTOR GINER 